The essay outlines an idea about the "male gaze" in which men have the power to actively look upon passive female bodies. Women became objectified objects, symbols of castration with no agency or power. Cinema functions within in this by allowing women to always be on display for the male viewer. Obviously, this idea is problematic, for not all viewers of film are male, and not all females are represented as simply something scopophilic.
Woman It is very much active male and passive female. Madeline is there to be looked at, the soft focus, the romantic music, the green dress contrasting with the red interior of the restaurant.
The Mis-En-Scene in the restaurant is crying out for Madeline to be an object of desire. Laura Mulvey also talks about the idea of scopophilia which is looking at the sort of pleasure.
It basically talks about the pleasure gained from looking at desirable objects, the object been women. In terms of Mulvey? They are also interested in the idea of fetishisation of women, in Vertigo in the opening scene we experience this. Madeline or Judy is reduced to her lips and her eyes.
They are very much objects of desire. Things that men look for in a woman.
She is basically dismembered. Shes nothing else but her sexual attributes. Later on in the film when Scottie is trying to recreate Madeline through Judy, Scottie is very much constructing female ideal. Which he thinks is Madeline.
Mulvey said male project their fantasy onto the female figure is styled accordingly. Which is basically what scottie does with Judie. Much to devestation in the end of the film. Because it is unattainable, the fantasy that Scottie wants from a woman is unattainable.
The other film theorist that I will introduce is Tania Modeleski she wrote the women who knew too much in Obviously Madeline is acting in a certain way however she has the ghostly presense and knows that she is doing that.
Complicates things which hitchcocks films are all about, they have many layers of representation and themes. Feminist view points applied to different films as well Popular Essays.In an insightful essay appearing in another volume devoted to Hitchcock's work, “Hitchcock and Feminist Theory from Rebecca to Marnie,” Florence Jacobowitz writes, I agreed to write this chapter on the significance of Hitchcock to feminist film theory and criticism following the completion of a course I taught on women and film that included films by Hitchcock .
> Vertigo and the Maelstrom of Criticism. Vertigo and the Maelstrom of Criticism. Tim Groves. Vertigo (Alfred Hitchcock, Chase is referring to Neil Hertz’s essay on Paul de Man, “Lurid Figures”. Hitchcock and Feminist Theory. (New York and London: Methuen, ).
As a feminist film theorist, Mulvey's idea about the male gaze has some validity to it, which we find in Hitchcock's films. In her essay, Mulvey focuses largely on Hithcock's Rear Window, The solution to this problem can be found in the theory of fantasy and desire, which I discuss in depth on the other theories page.
Originally published in , The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a. Essay on The Feminist Theory - Feminists rely chiefly on the contention that the traditional analysis of world politics is fundamentally gendered.
Gender-sensitive analysis begins with the premise that societal institutions are made by humans and are therefore changeable by humans. Many of these points are considered in Tania Modleski’s feminist theory book, The Women Who Knew Too Much: * Thorwald and his wife are a reversal of Jeff and Lisa—Thorwald looks after his invalid wife just as Lisa looks after the invalid Jeff.