Famous poet, Geoffrey Chaucer, and famous play writer, WilliamShakespeare, illustrate characters who possess these manipulatingqualities in their personalities. These literaryfigures manipulating techniques are very effective on the othercharacters in Chaucers and Shakespeares works. Iagos main motivation for his manipulation is his hatred ofthe main character, Othello.
Lines Othello, W. The theme of gender, though, is an equally significant factor in the play. The subtitle also finds a structural resonance with that of Hamlet: He is thus caught almost in the talons of a society in which he does not instinctively belong and the norms of which he struggles to conform and comply with.
Being the sole black man surrounded by white people, who were considered to be racially superior at the time, makes him strive to compensate for what is considered by the society to be a lack in him and this is why he takes the initiative to prove himself a worthy general.
In the words of critic Walter S. Othello, Colonialism, Discourse, Iago holds an air of superiority over him, despite being of a lower rank, as he is white. He believes that his daughter could only have married Othello through some sort of trickery on his part.
Line is considered a compliment, as black colour of skin is seen as negative. This connotation of the colour black goes unchallenged by Othello, too, and he seems to have imbibed and instilled the same attitude within himself.
Lines The society that has rejected and subjugated him and decreed him as inferior remains one that he wishes and strives to be a part of. Othello can, in this context, be compared to the play Loyalties by John Galsworthy, in which the Jewish protagonist was put through a similar discrimination, only on a religious basis, rather than a racial one.
There can also be seen the notion of black men bring believed to be less evolved and animalistic, and this deeply discriminatory reading is employed in the play some critics.
Race, Adultery and the Hideous in Othello, The play itself analyses the deeply racist mindset of the society, and this racism is directed not towards Othello alone. The Limits of the Human: Line 4 irradiates this as well.
They consider it an unnatural relationship and some even argue to the extent that their sexual relationship is an act of rape, by simultaneously proclaiming that women do not have sexual urges and that all black men are rapists. This point is also strengthened by the belief in the mind of the characters that sexual compliance is something to be expected of women, and this is the prominent discourse in the society.
Desdemona however, defies the conventional role that women are expected to conform to. In the very beginning of the second act, she converses and repartees with a man known for his slanderous statements Iagoand engages with him wittily. She comes across thus as a robust character who defies the norms of femininity prevalent at the time, since she does not embody a pure, chaste or reserved woman.
He and Cassio indulge in jokes that are in bad taste, that inspire outrage rather than amusement in the reader.
Through this, Iago and Cassio are exposed to be sexist characters in the play. This reveals not only his misogyny but that of the entire Elizabethan society- portrayed by Shakespeare on a microcosmic level in the characters of the play as a synecdoche- as no one defends or attempts to vindicate her.
She thus becomes another victim of the patriarchy. In Iago in particular, a sort of chauvinism can be seen, so much so that critics have speculated on his sexual orientation, proposing that he may have a homoerotic love towards Othello. In both plays mentioned, female characters Olivia and Phebe respectively develop an attraction towards the cross-dressing protagonists of the same gender, mistaking them as men.
Ira Aldridge, the first black man to portray Othello. Othello also takes on gender as a theme in a bleak way, since both prominent wife characters in the play are murdered by their husbands, thus indicating how marriages are marked with male cruelty and jealousy.
Gender roles are thus seen in the play as antagonistic. Othello himself has little faith in his own wife and accepts a handkerchief as ocular proof of her infidelity. He considers her a whore because of a handkerchief alone. However, one can comprehend the significance of this object and thus justify the importance attached to it.
Despite his insecure feeling of not quite belonging to Venetian society, Othello is a strongly masculine character and holds fast to his male pride and vanity. This is illuminated in Act IV, Scene i, in his public striking of her and in Act III, Scene iii line as well, where his masculinity again manifests itself along almost violent lines.
This is almost like a punishment he is wishing on her and the reader can note that he operates on a motive of self-interest more than regard for his loved ones. He is more concerned for his pride and mental distress than the wife he seemed at first to be so devoted and affectionate towards.Othello study guide contains a biography of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.
One way in which Iago is a master in manipulation is his tendency to use Othello's own words to disguise his active role of instigator and make it seem that any.
othello essays on jealousy Search for Othello Essays On Jealousy. Look Up Quick Answers Now!A Web of Lies In Shakespeares Othello we are told a tale in which there is much manipulation amongst a group of nobleman for the potential of variousAn essay or paper on Jealousy in Othello by Shakespeare.
Othello (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, believed to have been written in It is based on the story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in . Iagos Manipulation How does Iago attempt to poison Othello against Desdemona and Cassio and to what extent is iagos plan working Othello is a character whom from the start of the play does not Words; To what extent is Iago responsible for the tragedy of Othello?
William Shakespeares own traditional use of the themes, love. Other famous characters of play includes Desdemona, wife to Othello, Emilia, wife to Iago, Brabantio, who was the father of Desdemona, Cassio, Othello's friend, Montano, Othello's predecessor, Roderigo, who acted as a secret agent of Iago to inform him about the activities of Desdemona and Bianca, Mistress to Cassio (Shakespeare, ).
The Role of Women in Othello: A Feminist Reading William Shakespeare's "Othello” can be read from a feminist perspective. A feminist analysis of the play Othello allows us to judge the different social values and status of women in the Elizabethan society.